1930s Costume

Movie Star Vamps and Scamps Paper Dolls by Tom Tierney, X

This spectacular collection spotlights twelve femmes fatales from the silent era through the 1930s in costumes from their most popular films: Louise Brooks, Gloria Swanson, Marlene Dietrich, Jean Harlow, Mae West, Theda Bara, Mae Murray, Nita Naldi, Barbara LaMarr, Pola Negri, Clara Bow, 1930s costume and Myrna Loy. Dover Original. 12 dolls 1930s costume and 32 costumes on 16 plates.
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Designing Women: Cinema, Art Deco, and the Female Form by Lucy Fischer,

The image of Woman is ubiquitous in Art Deco design -in sculptures, pottery, glassware, jewelry, 1930s costume and lamps -but few scholars have focused on this phenomenon. Lucy Fischer argues that Art Deco style became a kind of "trademark" for the modern woman of the era. Moreover, the Art Deco Woman, as screen protagonist, was at her most radical in the mid-to late 1920s, as embodied by actresses such as Greta Garbo or, notably, Brigitte Helm, who played both the authentic 1930s costume and the replicant (robot) Maria in Fritz Langs 1926 German silent film classic "Metropolis," which Fischer calls a "Deco extravaganza." But throughout the 1930s, the female figure became progressively more muted 1930s costume and tamed in both the musical 1930s costume and the exotic adventure epic, while in the fantasy film, it became associated with perversity. Meanwhile, just as in the wider culture, a growing conservatism questioned the feminist advances of an earlier generation. Fischer situates the Art Deco movement within the dynamics of American consumerism, revealing how its appeal to women was used to sell cosmetics, clothing, home furnishings, jewelry, 1930s costume and objets dart. She also investigates its implications for the star system. The book examines a large body of film work, from a variety of genres, in terms of set 1930s costume and costume design as well as narrative structure, 1930s costume and extends its conception of the cinematic "text" beyond the screen to the realm of movie theater design.
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Adrian (costume designer) - Adrian Adolph Greenberg (March 3, 1903 â€“ September 13, 1959) was a Hollywood costume designer whose most famous costumes were for The Wizard of Oz and other Metro-Goldwyn-Mayer films of the 1930s and 1940s. On occasion, he was credited in his film work as Gilbert Adrian, a combination of his father's forename and his own, or simply Adrian for his independent work.

Costume party - A costume party (chiefly the US English term) or a fancy dress party (the more common British or Commonwealth English term), mainly in contemporary Western culture is a type of party where guests dress up in a costume. These are especially popular in the United States around Halloween, when teenagers and adults who may be considered too old for trick-or-treating attend a costume party instead.

Welsh costume - The national costume of Wales is usually thought of as the traditional woman's costume of a red cloak and a tall black hat. This form of the costume was developed in the 19th century, during a revival of Welsh culture, mainly by Lady Llanover.

National costume - National costume (also known as national dress, regional costume or folk dress) expresses an identity through costume which usually relates to a geographic area, but can also indicate social, marital and/or religious status. Such costumes often come in two forms: one for everyday occasions, the other for festivals and formal wear.

1930scostume

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